The historic Fusèt surrounded by chairs and workshop material

Gosaldo · Milan · Hamilton

Some objects ask to be seen again.

Handcrafted objects and chair weaving by Bruno Pallone. A family tradition from Veneto, Italy, carried forward in Hamilton, Ontario.

Explore the work ↓

01 · Desire

02 · Bruno enters

A living point of view

Bruno Pallone. A lifetime of looking closely.

Trained in the Benvegnù family workshop in Milan, Bruno works with wood, natural fibres and Vienna cane. Today his practice continues in Hamilton, Ontario.

From a full-size chair to a miniature, the work begins with structure, material and tension.

Detail of a woven chair back with strands spreading into a fan pattern
A closer look at the weave · selected archive work

03 · The Work

Whole object first

The chair is read in the round.

Bentwood chaise longue with woven seat and back
Form, stance, rhythm. Before the detail, the whole object.
Close view of radial cane weaving around an oval medallion
A chair is structure, surface and movement.
Underside of a wooden chair showing the seat frame and label
The reverse tells another story.

04 · The Heritage

The Art of the Conthe

A door into a world of makers.

From Gosaldo, knowledge travelled through hands, objects and memory. The archive offers context; the objects remain alive.

Enter through the object
Historic publication cover connected to chairmaking heritage
Documentary trace
Historic drawing of a chair-weaver at work
A maker at work, preserved on paper

05 · The Knowledge

See · Notice · Understand

Knowing begins by looking closely.

Frames expose choices. Materials record pressure. A reverse, joint or repair can change how the whole chair is understood.

Bare chair frames showing construction before weaving
Construction before surface
Dario drilling a bentwood chair during work in progress
Dario at work · family workshop archive
Close view of a finished diamond cord pattern
Pattern as evidence of method

06 · The Living Practice

Then and now

Tradition continues by being practised.

Chair with a corded pattern being made
Work in progress
Contemporary red chair with woven seat
Contemporary expression
Clock form under construction in the workshop
Knowledge moving beyond one typology

Made by Bruno · Hamilton, 2026

Small objects.
Real handwork.

Wooden miniature chairs with seats woven by hand in raffia. These recent prototypes bring frame, proportion, colour and weaving together at a small scale.

They also open a conversation about larger pieces and bespoke work. DIY kits and a teaching collection are in development.

Discuss a miniature or a project →
Handmade wooden miniature chair with red and natural raffia seat
Red and natural raffia · completed prototype
Handmade wooden miniature chair with a natural-colour woven raffia seat
Natural raffia · completed prototype

From the studio

The Art of the Conthe

The Art of the Conthe

Benvegnù Heritage

Benvegnù Heritage — photograph

A living practice shaped in the Dolomites, carried across generations, across Italy, and across an ocean. Benvegnù Heritage works with traditional chair-weaving methods and contemporary commissions.

"Impara l'art e metela da part"

Learn your craft and set it aside — it will serve you.

·Scopelament del Conza

1906 · 40+ · 6 · 1 ✦

Fusèt Dated · Years Practice · Techniques · Living Language

Montanìn, montanìni: scarpe grose e thervèi fìn.

Montanino, montanini: scarpe grosse e cervello fino.

Mountain folk: coarse shoes, fine mind.

— Scopelament del Conza · Gosaldo, Belluno

————— THE STORY —————

From the Dolomites to Milan to Hamilton, Ontario

The Conthe were chair weavers from Rivamonte Agordino and Gosaldo, in the Agordino valley of the Dolomites. Their working tradition travelled across Italy and France, carrying simple tools, materials, and practical knowledge from village to village.

Scopelament del Conza is a trade language associated with this community. Benvegnù Heritage approaches this heritage as a living practice, with care for the stories and sources that support it.

Bruno Pallone learned chair weaving within his family in Milan and later developed his own practice. Today Benvegnù Heritage continues this work in Hamilton, Ontario, with Anna Maria de Leonardis contributing an artistic perspective through colour, decorative art, and design.

THE FUSÈT · 1906

Bruno possesses a Fusèt — the traditional weaving tool — dated 1906, gifted to him by his master Tita Bosol. It remains in active use today.

THE ZANIN MANUSCRIPT · 1978

The studio holds the complete typewritten manuscript of Prof. Gian Pietro Zanin — 76 pages documenting the art of the Conthe and the proverbs of Gosaldo, published in August 1978.

THE LIVING TRADITION

Bruno's brother Dario Pallone and his son Matteo continue the craft in Milan. Together they represent one of the last active lineages of the Conthe tradition.

Tra el dièr e l far, l'é de mèth el mar.

Tra il dire e il fare, c'è di mezzo il mare.

Between saying and doing there is an ocean.

— Scopelament del Conza · Gosaldo, Belluno

— THE CRAFT VOCABULARY —

Methods, materials, and patterns — each learned through practice.

01 — Hexagonal Cane Weaving · Caneggiattura stile Viennese

The classic Thonet technique. Six passes — two orthogonal, four diagonal — creating the iconic hexagonal pattern. Each hole is hand-threaded. No shortcuts.

02 — Rush Seating · Impagliatura in Erba Palustre

Traditional rush weaving using natural palustre rush. The oldest technique of the Conthe — unchanged since the 18th century.

03 — Paper Cord Weaving · Corda di Carta, Xilocord

Danish cord technique — tightly twisted paper cord woven in complex geometric patterns. Both seat and back. Durable, elegant, contemporary.

04 — Radial Star Pattern · Caneggiattura Stellata o Rosone

A rare technique: canes radiating from a central medallion outward, creating a sunray pattern. Requires progressive geometric adaptation. Maximum complexity.

05 — Bamboo & Reed Strip · Bambù, Midollino

Flat bamboo and reed strips woven on arched frames. The technique of the Chiavarina — one of Italy's most iconic chair forms, born in Chiavari, Liguria.

06 — A Lucido · High-Gloss Rush

The most prized technique learned, famous in France: rush cords covered with coloured rye straw, producing an extremely durable and beautiful finish.

Redeme picìol, sarìseme grant, se tu ol che te implenise el banco e non si el sacco.

prendimi piccolo, crescimi a grande, se vuoi che ti riempia il banco e non il sacco.

Raise me small and I'll be great —

if you want me to fill the workbench, not the sack.

— Scopelament del Conza · Gosaldo, Belluno

————— WHAT WE DO —————

Services

Restoration, commission, and cultural programming.

Chair Restoration & Re-weaving

From antique Thonet bentwood to contemporary designer pieces — any chair, any technique, any level of complexity. We assess, quote, and restore to museum-quality standard.

We serve antique dealers, interior designers, collectors, and private clients across North America and Italy

Commission Work

New pieces built and woven to specification. Working with your frame or ours. Ideal for interior design projects requiring custom, artisanal seating with documented provenance.

Each commissioned piece comes with a full technical record — technique, materials, time, and provenance documentation.

Workshops & Teaching

Learn traditional chair weaving techniques in small-group workshops. Introductory sessions in rush seating and cane weaving.

Cultural presentations on the history of the Conthe available for schools, museums, and community organizations. Workshops held in Hamilton. Cultural presentations available throughout Ontario.

Decorative Art · Anna Maria de Leonardis

Brera-trained decorative artist offering original works, stencil design, and colour consultation. Distinctive palette and bold geometric language rooted in the Milan artistic tradition of the 1980s–90s.

Available for residential and commercial interior projects, gallery exhibitions, and collaborative commissions.

"I nos veci i se a magnà la roba e i ne a lasà i proverbi."

Our elders consumed their worldly goods and left us their proverbs.

· Scopelament del Conza · Gosaldo, Belluno

————— ANNA MARIA —————

A graduate of the Accademia di Belle Arti di Brera, Milan, Anna Maria brings a formally trained artistic vision to Benvegnù Heritage. Her work spans decorative painting, stencil design, and original canvas work distinguished by an exceptional command of colour.

During the height of Milan's fashion era, she created live stencil work during runway shows for designers including Mariteau Girboue — work that required both precision and spontaneity in equal measure.

Her paintings speak the same language as Bruno's weaving: geometric structure, natural rhythm, bold chromatic choices. The fibres Bruno weaves become the forms Anna Maria paints.

Two disciplines, one heart.

————— CONTACT —————

Begin a Conversation

Every restoration, every commission, every workshop begins

the same way — with a conversation.

LOCATION

Hamilton, Ontario · Canada

MARKETS

North America · Italy

WEBSITE

benvegnuheritage.com

INSTAGRAM

@benvegnuheritage

the same way — with a conversation. — photograph
the same way — with a conversation. — photograph
the same way — with a conversation. — photograph

Every piece restored by Benvegnù Heritage is one of a kind.

Bruno works on commission — chairs, armchairs, settees, chaise longues —

using techniques passed down from the Conthe masters of Gosaldo,

in the Agordino valley, preserved since 1906 and carried living

to Hamilton, Ontario.

the same way — with a conversation. — photograph

Sedia Chiavarina

Intreccio in bambù e midollino su telaio ad arco. La Chiavarina — icona della tradizione ligure italiana — restaurata con le tecniche dei maestri Conthe dell’Agordino. Ogni listello teso a mano, ogni nodo controllato ad occhio.

Per chi desidera un restauro più accessibile, Benvegnù Heritage propone anche la lavorazione in xilocord — carta kraft intrecciata ad alta resistenza, alternativa tradizionale al bambù e al midollino. Stesso rigore artigianale, estetica autentica, costo contenuto.

the same way — with a conversation. — photograph

Poltrona con Medaglione

Caneggiattura stellata a schema radiale su poltrona con medaglione ovale. Le canne partono dal centro irradiandosi verso la cornice esterna come raggi di sole — una tecnica rarissima che richiede adattamento progressivo del pattern. Alta complessità, risultato unico.

the same way — with a conversation. — photograph
Two finished bentwood armchairs with woven seats

07 · Invitation

Work with Benvegnù Heritage

Let’s talk about your next piece.

For a miniature, a bespoke object or a design collaboration, tell Bruno what you have in mind. Include your location, intended use, approximate dimensions and preferred timing. Each enquiry is reviewed before scope, price or delivery is agreed.

Email Bruno at benvegnuheritage@gmail.com · links open your email app.